NOVEMBER '07
Harder Beat Magazine Online
Girl In A Coma, on Joan Jett’s Blackheart Records, are slated to open for Morrissey on his current tour. Keep your eyes on HB to see if they make it to Dallas any time soon… After an extremely long hiatus, ska-punk sensation, The Mad Caddies, have a new album out.

Iceland’s Sigur Ros will release a movie and new album later this month… Angels and Airwaves are coming along with their second album... Fans of Red House Painters can expect a new album this month featuring front man, Mark Kozelek, with his new band Sun Kil Moon. It’s on Jetset Records.


The Donnas - Bitchin’, Purple Feather Records
Bitchin’ proves that these chicks still have “balls.” In fact it exhibits that The Donnas have polished their skills considerably. When compared to previous releases over the years, Bitchin’ is more diverse tunefully, yet it remains true to their punk form and pop spirit. While the guitar work is more sophisticated and intricate than earlier albums such as Turn 21, the sound is familiar and fun - comparable to Skin Tight. If you dig Roller Derby (Dallas Derby Devils Rule!) and you drink Miller High Life -get this one!
(Shane Epting)

The Bird and the Bee - Please Clap Your Hands, Blue Note
What if The Carpenters decided to mix 1960’s style lounge music with modern day nightclub beats? They might just sound like The Bird and the Bee, a California co-ed duo that deserves to be the next big thing.
With Greg Kurstin on keyboards and guitar, the soothing retro vibe sounds like something blasting from Cary Grant’s bachelor pad. Add Inara George on bass and vocals, and things become even more surreal. With the smoothness of Jewel or Dido, Inara’s silky voice floats on top of the staccato beats. The end result is a soft, sensual song that still keeps its drive and energy going.
With only five tracks on this EP, things are over too quickly. “Polite Dance Song” is so unbelievably addictive, it might just be the musical equivalent of heroin. Followed with four more amazing gems, including a Bee Gee’s cover, this disc needs to be three times longer. At current length, it’s more of a cruel tease.
(Jason Janik)

Voodoo Glow Skulls - Southern California Street Music, Victory Records
These California street cats are back with their 8452nd album. This record proves two things: 1. Don’t fix it if it isn’t broken. 2. It is not broken. 3. These dudes still rock. Ok, that’s three things. But with a group that has as much punch as they do, you can expect them to pack something extra. If you’re searching for some ass kicking, ska-punk-skate-rock - search no further. This release is guaranteed to kick the asses of at least 45% of the music in your collection. It really doesn’t get any better than this. If you’ve ever saved a broken skateboard for sentimental reasons -you need this disc.
(Shane Epting)

The Protocol - Recess, Parlor Records
Music goes in cycles. What was old is new, which holds true for The Protocol, as their new disc digs up the not-so long ago sounds of the Nineties. Is it too soon for such a familiar sound, or will they lead a Nineties comeback?
Recess is stuffed with a dozen songs that could’ve easily been on any Brit pop disc a decade ago. The tunes are filled with the same polished angst that made Bush and Spacehog radio favorites. This could be good bad, depending on a listener’s preference for the genre.
Best track, “The Words You Didn’t Say,” has an urgency to it. Some others lose their momentum, making The Protocol sound more like a Nineties cover band than an original group. Overall though, this disc is a good spin.
(Jason Janik)

Gogol Bordelo - Super Taranta!, Sideonedummy
If you’ve been aboard this crazy train of reckless rock for a while, you’ll notice it’s far from resting on tracks of conformity. Front man and fire-bucket beater, Eugene Hütz, easily exhibits that orderly chaos that can sound awesome. These new songs will release your inner gypsy. Plus it’s a great soundtrack for a night of drinking cheap Vodka and talking with a cheesy Russian accent while trying to seduce your roommate’s sister.
Featuring awesome tracks such as “Supertheory Of Supereverything” and “My Strange Uncles From Abroad,” this is one album you don’t want to miss. So, if you’ve ever drunk liquor made in a bathtub or if you thought that Frank Zappa was “too mainstream,” this one is right up your sinister and twisted alley.
(Shane Epting)



State Fair of Texas crowd for Bowling For Soup
Photo: Jason Janik



Bowling for Soup
Photo: Jason Janik

Various Artists - State Fair of Texas, 9/28-10/21/07
From Sept. 28 to Oct. 21, the State Fair of Texas did its best to pack each week full of good music. All the major acts played the Chevy Main Stage, though live music was found all over the park. Generic bands (some SRV wannabe’s) and ethnic acts (from bag pipers to Folklorico) were enjoyed throughout the day, but the big acts drew the real crowds. There was something for everyone (though some should not have been heard by anyone!)

Latin funk band Grupo Fantasma, who opened the fair, has always been known to put on a great show. Oct 13 wasn’t the best night for true music lovers, as Billy Ray Cyrus delivered a shallow, plastic performance of cheesy Nashville pop country.

Highlights came from two Texas acts. Bowling For Soup had a huge crowd on Sept 30, playing a ton of popular radio hits between their silly, clever stage banter. Miranda Lambert’s Oct 14 pop country set was sincere and charming, as she performed her recent radio numbers and wowed the huge crowd.
Other bands (such as Jonas Brothers, Lonestar, and Gary P. Nunn) were not reviewed, but they’re all known for being tops in their respective genre. The Fair’s lineup has always weighed heavily on the country side, but there were enough other genres present to keep most fair-goers happy. Besides, since the music is free with fair admission, how can fans go wrong? (Jason Janik)


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